Nikon Timelapse shot w/ Red Camera
March 9th, 2010 | 
Author: 
Some stock shots and timelapse shot with the Red Digital Cinema Camera using Nikon still lenes.
Duration : 0:2:37
Posted in 
Tags: Adapter
Battery
Black
Brand
Camcorder
Camera
cameras
Canon
Case
CaseCrown
Charger
Compact
COOLPIX
Digital
digital camera
digital cameras
Double
dslr
FinePix
Foam
fuji
fujifilm
fujiguys
Home
HQRP
Lens
Memory
Mini
Nikon
Olympus
Photography
Plug
plus
Power
Powershot
Protector
Replacement
review
Screen.
slr
Stylus
Travel
Tripod
video
Zoom
wow thats amazing i …
wow thats amazing i wish i had that camera
Cool test!
Cool test!
@AhmadAlony123 the …
@AhmadAlony123 the RED One camera has a built in timelapse function. So I just told the camera to capture frames at a particular interval and then let it go. Using DSLRs, like in some of my other videos, requires a little more work. But I usually just use those for night shots as they are better suited for that than the RED One.
can someone explain …
can someone explain how did he do it
crazy to think many …
crazy to think many new high end movies are shot on this look it up on google theres quite a few
The 5D is an …
The 5D is an awesome little camera for the price; very flexible also. But image wise, the RED beats it hands down, if not for the 4K resolution (Soon to be 28K – Epic) than the versatility of the raw data. Not to mention the new RED Scarlett can shoot 100mb/s – That’s crazy.
But again, The 5D is just too smooth; you can put in grain afterward and tweak it, but the overall result – Red will win it every time, except of course for size and weight, 5D wins there hands down.
If you mean better …
If you mean better as far as color and contrast, maybe if you have some nice settings in there. But of course the same thing can be said about film and the 5D2. Films not much too look at until you develop it. The same thing goes for the RED camera. You need to digitally process the images after they are shot, which I really like. Its like having a digital negative.
The Canon 5D looks …
The Canon 5D looks better right off the bat only because the 5D is compressing the image in camera. The RED shoots RAW – and sometimes looks quite grainy until you tweak it and color correct it in RED CINE or RED ALERT in which case, it kills the 5D.
Plus the 5D is very “clean” which gives you a very video look, which is not the desired effect to try and mimic film.
Absolutely awesome …
Absolutely awesome work man! I’ve recently got into time lapse myself so this is really inspiring! Thanks. Check out my work when and if you can. I’ve fave’d/subscribed to your channel.
To try and compare …
To try and compare the Red camera against the 5D2 from videos that you have seen on you tube isn’t the best idea. The Red will smoke the 5D2. The H.264 compression is a joke. If anything the 5D2′s video function reminds me of an HVX with a 35mm adaptor on it.
When you’ve seen both on a high res monitor at their full resolutions there is a huge difference.
I don’t know. The …
I don’t know. The video is great, don’t get me wrong but, have u guys checked some of the Canon EOS 5D Mark 2 footage here on uTube? I think the picture quality of them are far more superior than RED Cameras. Of course it has its limitations but still.
absoulutley awesome …
absoulutley awesome i’m learning to use time lapses at the moment dont have a $17000 camera though jus a sony hc. so learning to do them in vegas pro. any tips people would be great
awsome work dude! …
awsome work dude! im savin up to get a scarlet. I love time lapse work
Its from the ” …
Its from the “Solaris” soundtrack.
Thanks, I’m glad …
Thanks, I’m glad you enjoyed the videos.
What’s the …
What’s the soundtrack to the video?
i think you have a …
i think you have a great talent friend.. i am glad one video led me to another and another and eventually led me to your videos.. i think it is remarkable and i appreciate your talent..
Wow…I have to say …
Wow…I have to say that this is nice work that you do and very inspiring! Maybe some day these cameras will be within reach for me.
Thank You
I have about $50K …
I have about $50K invested into my camera package. But to shoot stuff like this you could do it for $35K. If you wanted to get a RED camera.
Nice work, what …
Nice work, what does a setup like that run?
I’d like to see …
I’d like to see this in 28k please, thank you
Well what happens …
Well what happens when you shoot 2K is that your only using a center 2K portion of the sensor. So yes your field of vision would change. But you could also shoot with s16 lenses and when shooting in 2K to keep your field of view. Say if your shooting 4K with a 28mm lens. Then you would have to find a 28mm lens in s16 if you went to 2K. But its not that big a deal. I only shoot in 2K for slow-mo shots and I never use the method I just described. You just have to be aware of what’s going on.
nice work. i have …
nice work. i have been really impressed with the red one. some one told me that shooting in 4k as apposed to say 2 changes the depth of field. this doesnt make any sense to me. can you help?
cool! i got you …
cool! i got you wrong thinking that there is a focusing problem! cheers!
What do you mean. …
What do you mean. The only thing that I can think of is that the lens focuses the opposite way as a cine lens does. Really easy to learn to go the other way…at least for me it is.